Artist Statement​

​​​

My work grows from contradiction. The body minuscule, yet perception boundless.

​

Based in Taipei, I work with mineral pigments on paper and silk. Drawn from the earth, these pigments carry a will of their own. The final form of a painting emerges through negotiation between the pigments and me.

​

In the Night Atlas series, moths, orchids, and other unnameable forms surface and recede. Points of light are scattered across the picture plane; I connect them by intuition. It is an old impulse: to find order in darkness, to draw myth from scattered light. Constellations are not forms given by nature, but traces of projection. In my paintings, I make constellations of my own. Meaning is made, yet no less real for being made.

​

Forms appear, dissolve, and return, shifting vision from recognition towards sensation. A sense of being is slowly called into presence, in the making and in the viewing.

​

Shaped by close, sustained attention to small lives, tidal rhythms, and breath, my imagery resists clarity and asks for stillness.

These floating forms are what I leave behind, for myself and for the viewer: a moment in which meaning has just begun to surface, in a world where none was given.

​​​

​

​陳洛晗（Luo-Han Chen）

​​

我的創作從一個矛盾的內在狀態長出來——身體極度渺小，感知卻無邊蔓延。

​

現居台北，以礦物顏料於紙、絹上創作。這些來自大地的顏料有自己的意志，畫面最終的模樣，在我與顏料的協商中浮現。

​

在〈夜圖〉系列中，蛾、蘭花、或無以名狀的形體浮現又隱沒。星點散布於畫面，我以直覺連線。

這是一個古老的衝動：在黑暗中尋找秩序，將散亂的光點連結成神話。星座不是自然界既有的形狀，而是投射的痕跡。

我在畫面中創造自己的星座。意義是被製造的，但它仍然真實。

​

畫面中的形體浮現、消散、再度生成，使視覺從辨識移向感知。關於存在的感受，在創作與觀看之中，慢慢被召喚出來。

長期對微小生命、潮汐、呼吸節奏的近距離凝視，形塑了我所製造的一切。我的圖像抗拒清晰，需要觀者持續的專注。

​

那些漂浮的形體，是我為自己與觀者留下的棲身之處：在意義本不存在的世界裡，一個意義剛剛浮現的瞬間。